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THE WHO collection, double album, gatefold, SMR 570

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a b "Dangerous: The Double Album (Bonus) by Morgan Wallen on Apple Music" . Retrieved January 30, 2021– via Apple Music. Critical reaction to Quadrophenia was positive. Melody Maker 's Chris Welch wrote "rarely have a group succeeded in distilling their essence and embracing a motif as convincingly", while Charles Shaar Murray described the album in New Musical Express as the "most rewarding musical experience of the year". [49] Reaction in the US was generally positive, though Dave Marsh, writing in Creem gave a more critical response. [49] Lenny Kaye, wrote in Rolling Stone that "the Who as a whole have never sounded better" but added, "on its own terms, Quadrophenia falls short of the mark". [50] In a year-end top albums list for Newsday, Robert Christgau ranked it seventh, and found it exemplary of how 1973's best records "fail to reward casual attention. They demand concentration, just like museum and textbook art." [51] RPM Weekly – The Who in Top Singles". RPM . Retrieved 26 September 2023– via Library and Archives Canada. In 2013, Townshend and Daltrey participated in a documentary about the making of the album Tommy. The documentary is titled Sensation: The Story of the Who's Tommy and features in-depth interviews with them. [75] Editions and cover art [ edit ]

Morgan Wallen's 'Dangerous' Hits Sixth Week at No. 1 on Billboard 200, Most for a Male Artist Since Drake's 'Views' ". Billboard . Retrieved 2021-02-21. Top 100 Album-Jahrescharts" (in German). GfK Entertainment Charts. 1974. Archived from the original on 12 June 2018 . Retrieved 2 April 2022. Townshend, Pete (1993). Tommy: The Musical. Pantheon. 173 pp. + a CD w/ the song I Can't Believe My Own Eyes. ISBN 0-679-43066-0. Also titled The Who's Tommy: The Musical. Macek III, J.C. (24 April 2014). " 'Sensation: The Story of the Who's Tommy' Lives Up to Its Name". Pop Matters . Retrieved 12 January 2023. All of these remarkable observations are made through brand new interviews with lead guitarist, singer, lead songwriter and Tommy creator Pete Townshend, as well as the dynamic lead singer (who portrayed Tommy Walker himself in the original opera and the 1975 motion picture) Roger Daltrey (who still looks about 20 years younger than he is). In that these are some of the first interviews that truly delve into the somewhat recently unearthed facts about Townshend's childhood sexual abuse, this is an exceptionally noteworthy documentary.In March 2022, the album established the all-time record for longest duration in the number one spot (97 weeks) on Billboard 's Country Albums chart. Larkin, Colin (2007). Encyclopedia of Popular Music (4thed.). Oxford University Press. ISBN 978-0195313734. After a few warm up gigs towards the end of April, [43] the group gave a preview concert to the press at Ronnie Scott's Jazz Club, London on 1 May. Realising the opera's narrative was difficult to understand, Townshend explained a synopsis of the story, before the Who played Tommy all the way through at full stage volume. [46] The next day, the group flew out to New York to start the US tour, with the first gig on 9 May at the Grande Ballroom, Detroit. [43] At the end of May, the group played four nights at the Kinetic Playground, Chicago, and they noticed the audience would all stand up at the same time and stay standing. This indicated that live performances of Tommy had a significant positive response. [89]

The Who, 'Quadrophenia' – 500 Greatest Albums of All Time". Rolling Stone. Archived from the original on 19 February 2015 . Retrieved 10 February 2015.

Recommendations

Hoffmann, Frank (1983). The Cash Box Singles Charts, 1950–1981. Metuchen, NJ & London: The Scarecrow Press, Inc. pp.639–640. Kaye, Lenny (20 December 1973). "The Who Quadrophenia Album Review". Rolling Stone. Archived from the original on 18 February 2015 . Retrieved 11 February 2015.

Designed by fellow Baba acolyte Mike McInnerney, the cover art of a meshwork of clouds in a void was meant to represent “a kind of breaking out of a certain restricted plane of freedom”. Endless Wire: "The ARIA Report: Week Commencing 13October2006" (PDF). The ARIA Report. Australian Web Archive (871). Archived from the original (PDF) on 19 December 2006 . Retrieved 4 December 2010.The narrative centres on a young working-class mod named Jimmy. He likes drugs, beach fights and romance, [5] and becomes a fan of the Who after a concert in Brighton, [6] but is disillusioned by his parents' attitude towards him, dead-end jobs and an unsuccessful trip to see a psychiatrist. [5] He clashes with his parents over his usage of amphetamines, [6] and has difficulty finding regular work and doubts his own self-worth, [7] quitting a job as a dustman after only two days. [6] Though he is happy to be "one" of the mods, he struggles to keep up with his peers, and his girlfriend leaves him for his best friend. [5] Bernstein, Jonathan (January 8, 2021). "Morgan Wallen Is a Versatile Nashville Cliche Machine on 'Dangerous: The Double Album' ". Rolling Stone.

Year-end charts [ edit ] 2021 year-end chart performance for Dangerous: The Double Album Chart (2021)

11: Bob Marley And The Wailers: Live! (1975)

Tommy was originally released as a two- LP set with artwork designed by Mike McInnerney, which included a booklet including lyrics and images to illustrate parts of the story. Townshend asked McInnerney to do the cover artwork for Tommy in September 1968. [76] Townshend had originally considered Alan Aldridge for the cover. [76] The cover is presented as part of a triptych-style fold-out cover, and the booklet contained abstract artwork that outlined the story. [3] Although the album included lyrics to all the songs, indicating individual characters, it did not outline the plot, which led to a concert programme being prepared for shows, that carried a detailed synopsis. [3] a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj "British certifications – Who". British Phonographic Industry . Retrieved 18 March 2023. Type Who in the "Search BPI Awards" field and then press Enter. John Coltrane & McCoy Tyner & Jimmy Garrison& Elvin Jones- Ballads: Deluxe Edition (2005) – 2×CD reissue Various artists- Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 (1972)- 2×LP

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