The Story of Art: 0000

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the meaning of Copley’s evocation of the previous rebuff to royal pretensions was perfectly understood by all”…. he was an American artist … the Queen supposedly said “You have chosen, Mr Copley, a most unfortunate subject for the exercise of your pencil” Rembrandt .. left us an amazing record of life in a series of self-portraits ranging from his youth .. to his lonely old age” You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here.

the more we generalize about art the more likely we are to go wrong” Thank you for reading this post! the difference between the north and Italy is most clearly marked in architecture. Brunellschi had out an end to the Gothic style .. by introducing the Rennaisance method of using classical motifs for his buildings” A form of prehistoric art found all over the world, especially in Europe, small prehistoric statuettes known as Venus figurines with exaggerated breasts and bellies were made, the most famous ones being the Venus of Hohle Fels and the Venus of Willendorf, found in Germany and Austria. Most have small heads, wide hips, and legs that taper to a point. Arms and feet are often absent, and the head is usually small and faceless. Invention of printing in Germany by Gutenberg in mid 15th century .. “just as the invention fo printing hastened the exchange of ideas .. so the printing of images ensured the triumph of the art of the Italian Renaissance in the rest of Europe” 015 Harmony Attained: Tuscany and Rome, early 16th centuryThe enigmatic bronzes of Sanxingdui, near Guanghan (in Sichuan province), are evidence for a mysterious sacrificial religious system unlike anything elsewhere in ancient China and quite different from the art of the contemporaneous Shang at Anyang. Excavations at Sanxingdui since 1986 have revealed four pits containing artefacts of bronze, jade and gold. Th if most works in of these civilizations look remote and unnatural to us, the reason lies in the ideas they are meant to convey” For most of the paintings and statues which are now lined up along the walls of our museums and galleries were not meant to be displayed as Art. They were made for a definite occasion and a definite purpose which were in the artist’s mind when he set to work” 001 Strange Beginnings: Prehistoric and Primitive Peoples – Ancient America a b c d Blunt, Wilfrid (1950). Gombrich, E. H.; Upjohn, Everard M.; Wingert, Paul S.; Mahler, Jane Gaston (eds.). "Art History and the Public Schools". The Burlington Magazine. 92 (565): 117–118. ISSN 0007-6287.

ie freedom to ‘design’, decorate, choose pleasing colours etc recedes … subsumed by concern with reality) 014 Tradition and Innovation: The 15th century in the North Art Nouveau was decorative .. Fidelity to the motif or the telling of a moving story no longer mattered so much” 027 Experimental Art: The first half of the 20th Century Of noblemen .. “their loyalty to their king or their feudal overlord did not imply that they considered themselves the champions of any particular people or nation. All this had gradually changed towards the end of the Middle Ages when the cities with their burghers and merchants became increasingly important .. the merchants spoke their native tough and stood together against any foreign competitor or intruder”

we must realize that this use of the word is a very recent development and that many of the greatest builders, painters or sculptors of the past never dreamed of it. the superstition that there is more in a picture than a mere picture” 003 The Great Awakening: Greece 7th to 5th century it was Paris that became the artistic capital of Europe in the 19th century, much as Florence had been in the 15th century and Rome in the 17th century. Artists from all over the world came to Paris to study with the leading masters and, most of all, to join in dicsussions about the nature of art that never ended in the cafés of Montmartre, where the new conception of art was painfully hammered out” men like John Ruskin and William Morris dreamt of thorough reform of the arts and crafts … that the regeneration of art cpi;d be brpugh about by a return to medieval conditions. But many artists saw that this was an impossibility”

a b c d e f g Peaker, Carol (July 29, 2000). "The story of The Story of Art: Fifty years ago this fall, the world's best-selling art book was born: [National Edition]". National Post. Nebamun Hunting in the Marshes; c. 1380BC; paint on plaster; 98 × 83cm; British Museum (London) [20] the rich Greeks .. perhaps even the poets and philosophers, mostly looked down on the sculptors and painters as inferior persons. Artists worked with their hands, and they worked for a living … they were not considered members of polite society” The break in tradition: England, America, and France, late eighteenth and early nineteenth centuries" eg Guardi’s View of San Giorgio Maggiore, Venice we see “the spirit of Baroque, the taste for movement and bold effects .. he has learned that once we are given the general impression of a scene we are quite ready to supply and supplement the details ourselves .. his gondoliers .. are made up simply of a few deftly placed coloured patches” 022 Power and Glory II : France, Germany and Austria, late 17th and 18th centuries

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a b Wilkin, Karen (Spring 2003). "A preference for the primitive: Gombrich's legacy". The Hudson Review. 56 (1): 217–222, 224 – via ProQuest.

the artist was not concerned with an imitation of natural forms, but rather with the arrangements of traditional sacred symbols” Antoine Watteau .. began to paint his own visions of a life divorced from all hardship.. a dream-life of gay picnics in fairy parks where it never rains, of musical parties.. dressed in sparkling silk” Hogarth himself compared this new type of painting to the art of the playwright and the theatrical producer” During “the 30 years war on the Continent.. on one side stood the absolute mnarchs and their courts, .. supported by the Catholic church – on the other the rising merchant cities, most of them Protestant” Hieronymous Bosch .. became famous for us terrifying representations of the powers of evil .. for the first and perhaps only time, an artist had succeeded in giving concrete and tangible shape to the fears that had haunted .. the Middle Ages” 018 A Crisis of Art: Europe, later 16th centurythe great awakening of art to freedom had taken place in the 100 years between roughly 520BC and 420BC” all his admiration for the new art developing in Italy does not seem to have shaken his fundamental belief that painter’s business was to paint the world around him” Seal with two-horned bull and inscription; c. 2010 BC; steatite; overall: 3.2 × 3.2cm; Cleveland Museum of Art ( Cleveland, Ohio, US) Pope Gregory the Great, who lived at the end of 6th century AD… said ‘Painting can do for the illiterate what writing does for those who can read’“