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Key amongst Lennon’s pieces is In My Life. Its childhood reminisces still sound gorgeous, the song carrying far more weight than its writer's 24 years, illuminated by producer George Martin's beautiful piano solo: recorded at half speed and later doubled, the sound is reminiscent of a harpsichord and fulfilled Lennon’s request for something Baroque-sounding. Nyman, Jake (2005). Suomi soi 4: Suuri suomalainen listakirja (in Finnish). Helsinki: Tammi. ISBN 951-31-2503-3. In 2020, when asked of which Beatles albums qualified for an A-plus grade, Christgau considered Rubber Soul as a "prime candidate" among scholars of the band, but concluded that, "while I feel and understand the artistic skill and historical momentousness ... in fact I only cream for three of its songs: 'Norwegian Wood,' 'Girl,' and 'In My Life. '" [311] The Beatles – Rubber Soul". italiancharts.com. Archived from the original on 27 March 2017 . Retrieved 28 June 2017.
It was already mid October, 1965. The Beatles needed to write, record, and mix 16 new songs (14 for the album, and 2 for a single) in about a month and a half! As crazy as that sounds now, it was actually more uninterrupted time than their hectic schedule had allowed for previous albums. Harper also said: "After a few times on the turntable, you realised that the goal posts had been moved, forever, and you really wanted to hear the next record – now. You could sense Revolver just over the horizon. You were hooked." [319] Dutch Album Top 100 (26/09/2009)". dutchcharts.nl. Archived from the original on 5 October 2017 . Retrieved 28 June 2017.Everett comments on the significance of the band's interest in the harmonium, sitar and fuzz bass each occurring during the same period, pointing out that the three sounds overlap in their offering a wide vibrative quality and "more richly discordant" tones. [86] a b Mawer, Sharon (May 2007). "Album Chart History: 1965". The Official UK Charts Company. Archived from the original on 17 December 2007 . Retrieved 8 November 2019. Eden (1 January 1966). "The Lowdown on the British Rubber Soul" (PDF). KRLA Beat. p.15. Archived (PDF) from the original on 3 February 2012 . Retrieved 7 November 2019. Ringo Starr– drums, tambourine, maracas, cowbell, bells, cymbals; Hammond organ on "I'm Looking Through You"; lead vocals on "What Goes On" A newly remastered version of Rubber Soul, again using the 1987 Martin remix, was released worldwide as part of the reissue of the entire Beatles catalogue on 9 September 2009. The album was available both as an individual CD release and as part of the Beatles (The Original Studio Recordings) box set. The accompanying Beatles in Mono box set contained two versions of the album: the original mono mix and the 1965 stereo mix. [368] [369]
As a passionate vinyl collector and a dedicated fan of The Beatles, I was eagerly anticipating the re-release of "Rubber Soul" on vinyl. I'm delighted to report that this re-release lives up to the hype and is a must-have for any vinyl enthusiast. Grammy Hall of Fame". grammy.org. Archived from the original on 22 January 2011 . Retrieved 30 March 2016. By the way: Dylan was a big Beatles fan as well – he later “confessed” that he didn’t dare to say so at the time because to his purist folk hipster friends they were sellouts that represented the bad bad establishement (the same “friends” that turned on him when he went electric – a move probably inspired by the Beatles and/or the whole British invasion). IN MY LIFE ist der erste Song, den John Lennon über seine Kindheit geschrieben hat. Produzent George Martin spielte den von Bach inspirierten Mittelteil auf dem Klavier. Er nahm es in halber Geschwindigkeit auf und fügte es in doppelter Geschwindigkeit in den Song ein. Already in 1965, The Beatles had been touring, wrote and recorded the songs for the album Help, filmed the movie of the same name, and then toured America (including the Shea Stadium concert). So of course their record company wanted them to do another album before Christmas.
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Gould, Jonathan (2007). Can't Buy Me Love: The Beatles, Britain and America. London: Piatkus. ISBN 978-0-7499-2988-6. You can see the list of articles below (on a tablet or computer), and go directly to artists and topics that fit your interests. Or, use the search box.
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