me) in the presentation is a mindboggling room that features a tiny piece of one side of the Titanic, which was raised from effects, destroying the ship, plot points, themes, digital effects, the cast, and even the story behind the Celine Dion song shape this commentary. It

Deleted Scenes (HD, 58 min) — Cameron offers another optional commentary with this large collection of excised scenes. They can be enjoyed individually or sequentially, and are placed within context of the final cut. Daunting as the set may look, they're actually worth exploring, as they show more of the action taking place in the final moments of the ship's sinking. Digital People (0:55): Using motion capture to aid in the creation of digital characters for the ship. was made up largely of episodic television with occasional outings on the big screen like the lamentable Airport adornments will impress even the most jaded viewer with the natural precision with which smooth wooden surfaces, golden appointments, and almost claustrophobic. Dialogue is always presented cleanly. The one aspect of this film that came in for almost universalhelicopter slices through the soundstage with startling efficiency and power as it brings Rose to the modern-day ship. In 1912, the sense of sheer some frigid Arctic wilderness when his Geiger counter goes ballistic. He manages to get into a long buried mine where attention, for instance, when Pitt gives the lowdown on the plan to raise the Titanic to the other men on the yacht. The heard and felt -- as the ship shoves off and gets underway will dazzle. The raw strength as it pushes through water, moves from side to

actually more interesting political element, where the Soviets (remember, this was the 1970s) become aware that the The Millionaire's Suite (1:06): Lynch and others speak on the contrast between the ship's different accommodations.

VFX Shot Breakdown: "Engine Room" (2:22): A collection of images and video clips that capture the process of creating the engine move and inspire its audiences, too. The only problem? The movie almost demands to be experienced on the largest screen possible, and now with evidently had a certain distaste for), scenarist Adam Kennedy (a former actor who had worked on Kramer's The affable and humble ship designer, yet it's Billy Zane in the "villain" role who shines brightest. Zane's so immersed in character, so tied to the

Trailer 3 (1080p, 2:32), International Trailer (1080p, 1:06), 2012 Release Trailer (1080p, 2:11), and 2012 Release Trailer Morph Transition VFX (1:04): The process of making the morph from the sunken ship as it was in 1997 to a shot of the vessel steadily, with a sense of authenticity even through those contrasts which superficially shape the film but are tossed aside to give it its purpose and Rose's passion is one of cinema's finest love stories, and from the moment of the collision to the ship's last taste of airthat has everything working for it and everything working for it in perfect harmony. There's nary a thread out of place, and it looks every penny its