Bestja Collapsible Travel Silicone Dog Bowl Portable Pet Food Water Bowl, Foldable Expandable Cup Dish with Climbing buckle for small and Medium Pet Dog Cat Food Water Feeding (1 Piece, Green)

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Bestja Collapsible Travel Silicone Dog Bowl Portable Pet Food Water Bowl, Foldable Expandable Cup Dish with Climbing buckle for small and Medium Pet Dog Cat Food Water Feeding (1 Piece, Green)

Bestja Collapsible Travel Silicone Dog Bowl Portable Pet Food Water Bowl, Foldable Expandable Cup Dish with Climbing buckle for small and Medium Pet Dog Cat Food Water Feeding (1 Piece, Green)

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Price: £2.295
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In 2004 torture victims were invited to give their testimonies to the “National Commission of Political Prison and Torture”. They were paid a paltry sum and the file closed for 50 years. Since you used historical evidence as foundation for your work, how much of her real-life story is in the finished product and how much is fiction?

Once again, the agreement was made by an elite group, mistrusted by the general public and excluding important social actors. It also side-stepped the many human rights violations, adding yet another layer of impunity in Chile’s imperfect democracy.

A Democracy Bathed in Blood

What was the timeline of production like and how did the real-world events of the last few years affect it?

Covarrubias: He was impressed with the themes and with the quality of animation we were achieving considering our limited resources, which weren’t entirely precarious but definitely much lower than in the United States. Following the first-ever Oscar win for Chile with the animated short Bear Story, the success of Bestia reaffirms a hope for a rapidly growing industry in the South American nation. Speaking via Zoom from Santiago, Covarrubias and Diaz walked us through the thematic labyrinth that their uncompromising short represents. The interview is accompanied by behind-the-scenes photos from the production of the film. Fourth time is a charm, apparently, because BestJAVporn finally let me watch the movie. It even started at the four-second mark, since that’s where they cut me off before. I immediately maxed out the video to 1080p, and no, it doesn’t look any better. This is a DVD rip at best, not actual HD video. Covarrubias: We had one base or neutral expression for her, because we wanted the character to really have a single expression. People say that in real life Ingrid didn’t show much emotion with her face. Her expression was the same while walking down the street or when she was torturing people. It seemed logical for us to maintain that notion with this single facial expression for the doll. Neither the military nor police force has been reformed since the start of Chile’s weak democracy. This period of transition began when Pinochet lost the 1988 referendum after which he was forced to concede power to a civilian government.

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The same happened again in 2019 after Chileans rose against continuing inequality and injustice. While the dictatorship-era constitution was abolished, politicians used it once again not to pay for their crimes. Bestia exposes how the powerful in Chile then and now can avoid punishment for such human rights abuses. The Dog Lady Díaz: It was difficult because the figure of Ingrid is made of a resin that looks like porcelain and has fixed facial gestures. She only has six different expressions. Covarrubias: And then in early 2020, the pandemic began. I finished animating the short during the pandemic. I think some of the most important shots in the film were completed during the pandemic. Covarrubias: Matías Delgado was a key collaborator in animating the dog. He was the only other animator besides me. I knew that the dog had to contrast with the protagonist, especially at the beginning of the film. At some point Matías asked me if the dog could act tenderly and subtly, and I agreed. It had to be a docile dog, and not what you think of when you think of a tough police dog, even if it is a police dog. We were trying to confuse the viewer at the beginning in the sense that we introduce the story as if it were a run-of-the-mill tale about a woman and her dog. At first we know she teaches the dog things, but we are not sure what they are.

People love JAV. There are many Japan xxx videos online. There is no doubt that JAV (Japanese Adult Video) is one of the most popular porn niche in the porn industry. So when the series didn’t pan out, you gravitated towards Ingrid to make a short film, from all the figures you had considered? For its concoction of innovation and ingenuity, Maleza garnered significant attention among Chile’s artistic community, leading to further animation jobs for the burgeoning director. In those early years, Covarrubias directed two stop-motion literary adaptations of unnerving tales by Latin American authors: Feather Pillow based on the story by Horacio Quiroga and The Night Face Up from Julio Cortázar’s text. Japan has one of the most productive porn industry in the world. You can find your most favorite Japan Porn Stars here and enjoy their performing. Jav Porn Movies we all love. They're made in Asian but for all human beings.Covarrubias: I had a lot of images in my head and we had to find the right moment to use them. There was a lot of philosophical work. It was like taking an essay about human evil and making it something visual with historical elements as the foundation. What we see are images from her fragmented mind, and the process was similar to that fragmentation. I would think of an image and then I attached it to another one to assemble the scenes. Covarrubias: It took that long because as we were making it as the social uprising of 2019 started, which was really an important moment for Chilean society. We couldn’t ignore that, and so the timeline of production was delayed. Not only did we join the protests, but also it was difficult to concentrate on the work with everything that was going on. Hugo, can you elaborate on the design choices behind the figure of Ingrid and deciding to make her and the other human characters resemble porcelain?

Ingrid’s dog is the film’s co-lead and his texture contrasts her rigidness. Can you explain the significance of this character and the process of bringing it to life?

How would you describe the animation industry in Chile today in terms of resources and its potential for growth? As she looks at herself in the mirror we imagine that she is asking herself, “Am I really a woman or am I only a woman when I’m in my room because outside I’m just another military person without gender in the eyes of society?” Of course a lot of this is open to interpretation, but these are the things we questioned about her. I can’t speak about feminism because I’m a man, but thinking about gender, I’m conscious that she is a woman, but she was carrying out evil acts that were genderless. So we imagine she perhaps used those intimate moments she had alone to reaffirm her identity as a woman. Díaz: From the screenplay stage until the end it was about four years. The animation itself took about two-and-a-half years. And the post-production we did in record time because we had submitted the short to Annecy while still unfinished — it still had temp sound and you could still see the rigs behind the puppets. But when we got selected for Annecy, they told us, “You have to commit to deliver the finished film in two months.” That was madness. We had to finish the sound and the music in time. But we did it! In 2016, Covarrubias was a co-creator Paper Port, a tv series aimed at young audiences that blends stop motion and 2d animation. Around the same time Covarrubias connected with Díaz, a filmmaker from the documentary world who had often implemented animation in his work as a compelling storytelling device. Bestia is their first collaboration. At the same time we wanted to show in a seemingly innocent way this doll as a kind of matryoshka with many layers, and for that the material was integral. The material also has a certain aesthetic and narrative qualities. For example, ceramic is cold, just as cold and as calculating as the character was for the acts she committed. It’s also rigid but fragile at the same time. If it falls it can easily break. That happens to Ingrid when they change her job. She becomes frustrated and suffers this attempted assassination that leaves a fracture in her mind, and that in turn reflects the fracture that dictatorship left in an entire country. The material itself becomes a narrator and is the spine of the short film.



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