sE4400a Large Diaphragm Multi Pattern Condenser Microphone

£9.9
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sE4400a Large Diaphragm Multi Pattern Condenser Microphone

sE4400a Large Diaphragm Multi Pattern Condenser Microphone

RRP: £99
Price: £9.9
£9.9 FREE Shipping

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Description

Given the generous polar pattern choices on offer and the tightness of cardioid and hypercardioid, I for one would have appreciated a wide cardioid pattern, as well.

Insgesamt klingt das Baby Bottle deutlich erwachsener als das Bluebird, kein schlechter Einstieg in den Test. AKG C 214 As with other large-diaphragm condensers, omni mode is not truly omnidirectional; the frequency response does change as you rotate the mic. But when switched to omni, the sE4400a excels at bringing out the "air" at 10 kHz and above, without being icy in the 5-7 kHz range. Therefore, for drum overhead work or even as a drum room mic, the mic can help cymbals come to life without making them overly trashy. And as a room or booth mic for adding real depth to vocal recordings, omni is the way to go. By turning the mic, you can "EQ" the room. Because of its small diaphragm build, the DPA 4011A is equally excellent at miking classical guitars in both close range and longer distance applications. Detail is excellent, and the natural response of the microphone makes it a viable option for any playing style, room type, or classical guitar.Nun aber viel Spaß beim Lesen, Hören und Vergleichen der Studio-Gesangsmikrofone für Einsteiger. Die besten Studio-Gesangsmikrofone bis 750,- Euro

Deployed in stereo arrays....M/S, Blulein, and coincident or non coincident...the pairs performed well and seemed to be well matched. Used them on 12 ft boom stands over a choir and they performed very well in an application i tend to favor SDC's for. Build quality and self-noise are both premium here. The microphone feels good in the hand and should last a while, even with heavy use. Self-noise is limited, making for an excellent sonic listening and recording experience. Auch die Schaltmöglichkeiten wurden vereinfacht. Geblieben ist ein Pad bei -20 dB und der LowCut bei 300 Hz. Dafür hat sich der Geräuschpegel nahezu verdoppelt, stellt aber mit 13 dB immer noch einen guten Wert dar.

Großmembran-Mikrofone der Mittelklasse im Vergleich

We tested the mic on spoken and sung vocals, getting excellent results on the spoken voice recordings, as well as on acoustic guitar and violin. Across the board we were impressed, with a very good performance and full-bodied sound emanating from the guitar in particular. Yes, it's not the fastest reacting mic diaphragm around, even within the large diaphragm category, so more detailed mics can be found. But then again, most are more coloured, and cost more.

Unexpectedly I haven't found much use for them on cabs (guitar and bass), i was never too happy with them on a double bass and they are not my first choice for classical guitars and brass instruments. Matched pairs are available as an option for a slightly increased cost, but these come in a camera‑style case, with a sturdy metal mounting-bar so that you can use the mics as a spaced stereo pair. Performance As such, I guess it might be also recommended to first time home studio owners or small production room rookies as the “do-it-all” mic, a safe, clean and sonically healthy step before entering the hazy world of multiple mic choices and shootouts, colour mics and vintage vibe, mics as enhancers of this or that vibe, feel, sound, voice, instrument.

The Austrian Audio OC18 is a high performance cardioid microphone that excels in classical guitar applications. Clean and detailed with fantastic frequency response, this microphone boasts gorgeous musicality and sounds incredibly premium. But if you already own it's Austrian grandparent, or any other all-rounder, or a mic you are using to record clean and play with the sound in post-production (lo-fi, dirt, tube fx…) my advice would be, go look elsewhere. First you have the padding setting which is a simple choice of -10dB, -20dB or no padding. This allows you to use this in a high SPL situation i.e. for micing up guitar amps, bass amps or inside the SPL heavy base drums.

Anmerkung: Das Blue Baby Bottle wurde vom Baby Bottle SL abgelöst. Dieses verfügt zusätzlich über einen 100 Hz Hochpassfilter sowie eine -20 dB Pad-Schaltung. Unlike vintage mics designed for the tape era, the sE4400a was specifically calibrated to work well with digital gear. I liked the detail in the top end, which was present but never harsh. On paper then the sE2300 is a well‑specified studio microphone — what really matters though is how it sounds in use. After trying all my usual tests, including acoustic guitar, electric guitar, percussion and vocals, I have to conclude that little seems to have changed on the tonal front since the 2200a MkII. It delivers a clean, solid vocal sound that is more airy than harsh and it also works well on acoustic guitar, requiring little in the way of EQ. I’d describe it as a subjectively natural, open sound but with some gentle flattery that includes a hint of warmth. The Genelec M Series products include several new, innovative technologies to bring you the finest audio quality

The sE Electronics 4400a inherits its dual capsule's design from the highly succesful sE2200a. With 4 polar patterns (Cardioid, Hypercardioid, Figure of 8 and Omni), 2 bass cuts at 60Hz and 120Hz, and 2 pads at 10 and 20dB, this mic does a good job in every recording situation. Whether you're searching for a single microphone to carry out all of your recording tasks, or looking to add to an existing library of models with a microphone you can throw into a bag for a session and pull out for almost any application, the 4400a is definitely more than up to the job. Mit dem Baby Bottle hat es ein zweites Blue-Mikrofon in den Test geschafft und eröffnet mit einem Preis von 308,- Euro (Baby Bottle SL: 369,- Euro) unsere Mittelklasse. Wie auch beim Bluebird ist das Design unverwechselbar, die Korpusfarbe wurde allerdings mit Schwarz dezenter gewählt.



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